“South Jetty Reflections” fine art photography by Linda Fenton-Mendenhall. Q: Where is the South Jetty, you ask? A: The south jetty of the Columbia River is one of the most incredible sites on the Oregon coast. Stretching six miles…
For A FINE LINE. Book and paper maker Christine Trexel. On view October 5-31 @ Fairweather’s. Line book, silk hardcover with embossed designs, accordion fold with hand stitching, hand cut outs, one-of-a-kind art by Christine Trexel. Christine´s interest in books…
“Anticipation” oil by Karen Doyle. Karen Doyle paints to express the intense feelings she gets from looking at ordinary beauty – the trees in all the seasons. Her oil paintings are filled with juicy color and texture. Karen…
“The Path I’ve Chosen” by Sharon Abbott-Furze. Original oil on canvas 24x36x1.5 “Her work is expressionistic realism and sometimes heavily influenced with abstract shapes, inspired by people and their stories and the many moods of nature.” Read more about…
Seaside naturalist Neal Maine lectured about the local driftwood on the first Saturday in September at Fairweather’s. Maine speaks about the local habitat every first Saturday at 6:pm. Photo collage by Linda Fenton-Mendenhall from the opening reception of CONTRASTS, a…
› 40-years-and-363-miles-along-the-oregon-c… A show at the Newport Visual Arts Center celebrates the rambling stretch … It’s part of the Ode to the Tides exhibit, celebrating coastal estuaries … ¾ of the collection will be in …
“Into the Woods” original oil by Lisa Wiser. Into the Woods is an expression alluding to having been lost in a forest, dates from Roman times; it was first recorded in English in a play where famous fairy tale characters…
“Oregon Grape” on wood block, colored pencil with walnut ink and wax by Dorota Haber-Lehigh, artist, educator and naturalist with a passion for native plants of the Pacific Northwest. Work in Progress. “Oregon Grape” on wood block, colored pencil…
Abstract originals by Bill Baily “Contemporary art does not attempt to represent external reality, but seeks to achieve its effect using shapes, forms, colors, and textures.” Fresco abstracts including impasto on canvas, segmented Oregon Myrtlewood by Mike Brown, hand-made chenille…
“Salt Marsh” Acrylic on board, varnished and float framed by Pam Haunschild “Accompanied by some sea stars, sand dollars and possibly a whiff of ocean breeze.” About Pam Haunschild: Being outside in nature is everything to me! So it’s…