A new piece out of the kiln! I’m continuing my fascination with nests. Something about them just intrigues me and makes me happy.” Glass artist Carolyn Myers Lindberg
As a former ceramicist, I’ve worked in glass since 2012 and recently moved to Seaside from Portland. I received early instruction at Bullseye Glass, and the rest of my work and style was developed through my own experience and exploration. I want my creations to be used and held. Like many artists, I find inspiration in nature, whether the sea, the sky, or the forest, and I’m constantly surprised by beauty in unexpected places. I love exploring and experimenting with color and texture that I find in the natural world close to home or faraway places worldwide.” CML
Fairweather House and Gallery
612 Broadway St.
DIFFERENT STROKES, an exhibition of original abstracts.
Through August 25
eaturing watercolors by Bill Baily, en Plein air work by Karen Doyle, frescoes by Agnes Field, Art Deco works by Rene Hafeman, fused glass art by Carolyn Myers Lindberg, and encaustic works by Peg Wells.
Please read more about our Seaside gallery, our commitment to N.W. artists, and our products made by N.W. artists.
Soft celadon ceramics by Marcia Hudson, clay artist.
Iconic coastal patterns of gulls, sea stacks, clouds, and waves.
Signed. One-of-a-kind.
Vases, bowls, platters, and mugs.
Q: What is the difference between a ceramicist and a potter, you ask?
A: Both ceramicists and potters work with the same material: they go through the same process of wedging the clay, forming, firing, and glazing. So, it is a matter of preference how you want to call yourself if you work with clay. A ceramicist, a potter, a clay artist, a ceramic designer.
Q: What is a female potter called, you might ask?
A: A female pottery maker is called a potteress (plural potteresses)
Q: How did the name potter originate?
A: The name potter came from the Old French word of poterie.
Q: What is the favorite glaze in pottery?
A: Celadon is an all-time favorite glaze in pottery. It is a mint-gray-green color in ceramics, developed about the 2nd century C.E. Today, as it has done for thousands of years, celadon blends well in spaces with surrounding natural tones for a calming, earthy feel.
This color found in pottery and glaze typicallyappears gray-green in hue. The color of celadon owes much to the raw materials—specifically, the presence of iron in the clay and iron oxide, manganese oxide, and quartz particles in the glaze—as well as to the firing conditions inside the kiln.
Just in from Marica Husdon. Celadon ware. Functional and calming ceramics.
Sharing a favorite quote from the artist. Life is precious, life is fragile, and life is short. Live each day with kindness and mindfulness.
Marica Hudson is a member of the Artists in the Clay Guild of the Cascades (CGC). The Guild shares a passion for clay with each other and the community. They aim to promote creative self-expression in clay, share knowledge and experience, and facilitate an appreciation of handmade pottery and ceramics.
Please read more about our Seaside gallery, our commitment to N.W. artists, and our products made by N.W. artists.
Born in the USA, the artist lived with her family in Vienna, Austria, where she went to the American International School. I later graduated from St. Martin’s College of Art in London, England. She was a colorist for textile converters in New York City and then moved to Los Angeles, where she established “Cicely,” a silk painting company.
Cicely hand paints silks for boutiques, major museums, and selected gift shops, such as the High Museum, Whitney, and LACMA. She has had her work in various art shows around the country and as a featured artist at Fairweather Gallery. Recently she has been creating silk designs using a water theme, offering one-of-a-kind silk scarves, hand-sewn and hemmed, exclusively for the Seaside community.
Fairweather welcomes Candace Wilson.
I took ceramics in college, along with painting and drawing. I earned a B.S. in Applied Design After four years of college and trading paintings for dental work, I needed a job that used my skill set. I went back to college and studied graphic design. Fell in love with the four-color process, designing logos, and printing processes.
My clay work reflects my graphic experience, using words, textures, and images. My drawings and fonts are made into rubber stamps and applied to wet clay. I enjoy making things using the slab technique or wheel-thrown pottery. I keep the “maker marks” on my pottery, so people know it is handmade. My quest is to make people smile and think positively when the world around us seems chaotic. -CW
Last call for THIS PLACE, July’s Fairweather special exhibition.
Art on display and for sale through July 25
Painters, artists, and photographers explore the language of landscape
THIS PLACE, a special exhibition with selected original works by regional artists Paul Brent, Victoria Brooks, Nick Brakel, Barbara Bacon Folawn, Cicely Gilman, Bev Drew Kindley, Neal Maine, JoAnn Pari-Mueller, and Jan Rimerman.
SHOUT OUT
Fairweather House and Gallery
612 Broadway St.
DIFFERENT STROKES, an exhibition of original abstracts.
Through August 25
Featuring watercolors by Bill Baily, en Plein air work by Karen Doyle, frescoes by Agnes Field, Art Deco works by Rene Hafeman, fused glass art by Carolyn Myers Lindberg, and encaustic works by Peg Wells.
AGNES FIELD for DIFFERENT STROKES
Aug. 2022 at Fairweather Gallery The Astoria-based artist uses a matter-of-fact approach to painting and making objects by improvising and reusing found materials along with the paint to amplify the intended meaning.
She has a Master’s Degree in Studio Fine Art from New York University, has served as acting president of non-profit Astoria Visual Arts and Visual Arts Curator @KALA, and has participated in many juried exhibits and residencies.
“Painting is a dark romance – a sensuous love of paint and materials, but also the expression of unknown meaning that always finds its way to the surface. It is often on edge between making and destroying.
You can look at an object for a long time, and then one day, its meaning changes – which changes the object. Painting is one way of looking for the mystery that is always there hiding in plain sight and is the price of one’s time for understanding.” AF
Please read more about our Seaside gallery, our commitment to N.W. artists, and our products made by N.W. artists.
In appreciation to THIS PLACE featured artist and Rain Spark director, Jan Rimerman, for the referral of Candace Wilson to the Gallery. And, too, in gratitude to DIFFERENT STROKES featured artist Agnes Field for the recommendation of the Gallery of fellow abstract artist Cicely Gilman. Those that live for the arts support the arts.
Botanist-explorer David Douglas — this tree’s namesake — described it as “one of the most striking andtruly graceful objects in nature.” Tree expert Michael Dirr heralded it as “one of the noblest forest trees.”
Douglas-fir, scientific genus name Pseudotsuga menziesii, the most common tree in Oregon, is the most crucial conifer in the state because of its ecological and economic significance. The Oregon legislature recognized this when it designated Douglas-fir the official state tree in 1936.
Douglas-fir grows in various mixed conifer and hardwood forests in Oregon, from sea level to 5,000 feet elevation. The species has some ability to germinate and grow in the shade of other species and eventually replace them, but Douglas-firs prefer sunlight and mineral soil. Because of their immense size and thick bark, more giant trees can survive wildfire and reseed themselves in many burned-over areas.
The Oregon Champion Douglas-fir is 11.6 feet in diameter and 329 feet tall. Maximum heights can reach well over 300 feet, and diameters can reach 15 to 18 feet. Douglas-fir in the Pacific Northwest ranks as the second tallest tree species in the world behind the coastal redwoods in Southern Oregon and Northern California. When Douglas firs grow in dense forests, they self-prune their lower branches so the conical crown starts many stories above the ground. Commonly living to be at least 500 years of age, the oldest trees can be more than 1,500 years old.
As a versatile timber tree, Douglas-fir has few rivals. No other tree in the world produces more wood products for human use. It’s strong, relatively dense wood produces large timber beams, boards, railroad ties, plywood, and wood fiber for paper manufacture. It is used for reforestation along the Pacific coast. Its seeds are produced first at the age of about 25 years and in large crops every 5 to 7 years.
“Roseate” rosy impressionistic 30×24 oil by Karen Doyle
As its sound might suggest, roseate has to do with “rosy.” Anything that’s roseate is rose colored or pinkish. It’s often used in the term “roseate glow,” typically to describe a sunset.
About wild roses:
Roses first appeared on Earth around the time dinosaurs went extinct, 60 to 70 million years ago. Fossil records indicate roses grew in Oregon during the Oligocene Epoch, 32 million years ago. There are three native rose species in the Inland Pacific Northwest: baldhip rose, Nootka rose, and Woods’ rose. Native Oregon roses are wild flowering shrubs providing total spectrum pollen for bees, bird nesting places, and small mammals seclusion. Their fruits or hips are tasty treats for wildlife and a powerhouse of essential human antioxidants.
The wild rose is the National Floral Emblem of the United States as the symbol of life, love, and devotion.
“Fairweather House and Gallery has become one of the historic Gilbert District’s sought-after destinations offering an ever-changing unique visual experience.” —Seaside Signal
Representing a collection of fine art by an exceptional group of regional artists for over sixteen years, from traditional to transitional, contemporary to realism, impressionism to emerging art.
Please read more about our Seaside gallery, our commitment to N.W. artists, and our products made by N.W. artists.
Pacific N.W. artist working in watercolor, calligraphy, collage, and pastel media.
“Honeybees and Flowers” by JoAnn Pari-Mueller
Fine details catch my eye. I am interested in the relationship between objects – the “collector mentality.” I like the starkness of a subject against a white background, but may also intersperse geometric lines or shapes with the mostly curvilinear subjects. Often I use richly colored or detailed borders or backgrounds – influences of the many patterns and colors in my collections.” JP-M
I won “Best of Show” in the 2022 Rose Festival Art Show at OSA (Oregon Society of Artists)? That was exciting. See my piece and read what the judge said. JP-M
Juror’s note: I thought that this was a most complete and sensational piece. The combination of the story, the beautiful calligraphy of the writing, and, at its heart, an exquisitely-realized rose makes this work a genuinely excellent selection. It drew me in at first glance, and the more time I spent with it, the more I appreciated it.
After 15 years as an art museum tour guide, I began immersing myself in art classes at area art schools and colleges. I am an active member of the Oregon Society of Artists, the Watercolor Society of Oregon, and the Portland Society for Calligraphy and have participated in numerous exhibits throughout the state.” JP-M
New work by Jan Rimerman for THIS PLACE.
“Unexpected Celebration” by Jan Rimerman
For THIS PLACE, Fairweather’s July exhibition, my botanical collection is bright and festive.
This new series is saucy and ready to brighten up the world.” Jan Rimerman, artist/ curator/ gallerist
Each piece begins with a powdered charcoal under painting with an ink drawing drawn over it. Transparent fluid acrylics are painted on top in many layers to create luminescence and dimension.” JR
When not in the studio or traveling, Jan Rimerman is the Visual Arts Coordinator of the Lakewood Center, the Art Director of the L.O. Reads Program, and the Director of Rock…Paper…Turtle…Art for Wetlands in partnership with The Wetlands Conservancy and the Director of the Rain Spark Gallery. Playing competitive tennis keeps her on her toes. Jan is the turtle mother of six rescue turtles who follow her around the studio like puppies.
Fairweather House and Gallery
612 Broadway
Seaside, Oregon
Art on display and for sale through July 25
Painters, artists, and photographers explore the language of landscape
THIS PLACE, a special exhibition with selected original works by regional artists Paul Brent, Victoria Brooks, Nick Brakel, Barbara Bacon Folawn, Cicely Gilman, Bev Drew Kindley, Neal Maine,JoAnn Pari-Mueller,Jan Rimerman, and more.
For THIS PLACE, the art created is my country garden where stories unfold daily betweem plants, flowers, pollinators, birds, and animals.” JoAnn Pari-Mueller
Please read more about our Seaside gallery, our commitment to N.W. artists, and our products made by N.W. artists.
July 2022 THIS PLace display at Fairweather’s featuring the art and calligraphy of JoAnn Pari-Mueller, pottery by Marilyn Cohn, landscape by Toni Avery, oil paintings by Paul Brent, paintings by Jan Rimerman, wood bowls by Janis Childs, ceramic boxes by Dan Peccia, stemware by Rox and Bob Heath, beach carry-all by Betty Huffman, and impressionistic oils by Victoria Brooks.
