From potter Marcia Hudson. “Life is precious, fragile and short.  Live with kindness and mindfulness.”

 

Waterfall glaze fluted bowl, vase and tray by Marcia Hudson.

Signed and dated by the potter.

 

“I fire in my own kiln with low fire glazes, which until a few years ago were all purchased redi-made, but lately I have ventured out into the challenging world of chemicals and recipes and am quite proud of my very own home made glazes.”

 

“I am a functional potter and tend to make anything that can be used in everyday life.”

Willow green cream and sugar pottery set by Marcia Hudson.

Signed and dated by the potter.

Wood pedestals hand built for Marcia Hudson by Scott Hudson.

 

Marcia Hudson’s  pottery on display at Fairweather’s.

 

 

“My husband and I have moved all over this country following his career. Once my five children were grown, I knew I would need a “hobby” to fill my time and fell in love with the medium of clay from the first moment sitting at the wheel. I never imagined I would someday call myself a ceramic artist.

After 20 years of classes, workshops and thousands of hours of working/playing in clay and making glazes, I finally have my own studio in my new home in Cannon Beach.

We are so thrilled to be living in this lovely area with so much beauty and relaxing vibe. You cannot help be inspired by just taking a walk.

I am a functional potter and tend to make anything that can be used in everyday life. I love handles and tend to lean to the whimsical.

Most recently, I have enjoyed working on different shapes and designs that are done on flat surfaces.” Marcia Hudson, potter.

 

 

I  am working on my favorite designs which are unique birdhouses that inspire thoughts of fairies who live amongst our feathered friends. MS

Marcia Hudson’s pottery on display in the Fairweather House and Gallery front entry.

 

Photos by Linda Fenton-Mendenhall.

 

Fun fact: Linda Fenton-Mendenhall’s  photos for the Fairweather Gallery are being posted to: https://www.instagram.com/fairweatherhouseandgallery/

 

 

 

 

 

 

 

 

 

 

Made by Mike Mason. Seaside’s Necanicum River in botanicals.

“Necanicum River” Botanical Impression made by Mike Mason.

  Carefully dried, pressed and placed botanicals to create art to support natural habitats conservation.

Made with:
1 variegated Hydrangea blossom
1 Hydrangea leaf
1 black Petunia bloom
1 stem of Lunaria
20 Lunaria coins
2 Iris flowers
1 hunk of Moss
2 Alder leaves
1 Tuft of Paper Tree bark
1 decomposed Magnolia leaf
1 piece of Lungwort lichen
Tweezers
School Glue
Paperclip
Magnifying Glass
Weights
Paper

Anny Sears, floral artist, presents the recipe for “Necanicum River.”  She often speaks about the understanding of florography and how it magnifies energy of Mike Mason’s art.

“A snapshot of the Necanicum River was inspiration for another attempt to capture water with earth’s elements.
Ideas of depth, motion, flow and light came into a deeper focus as I made this riverscape.” MM

 

Q: Where in the world is the Necanicum River, you ask?

A: The Necanicum River is a river on the Pacific coast of northwest Oregon in the United States, approximately 21 miles long. It forms the first estuary south of the mouth of the Columbia River along the Oregon Coast, reaching the Pacific Ocean at Seaside in Clatsop County. The river enters the Pacific Ocean at Seaside. Its final approach to the ocean is nearly parallel to the coast running south to north through the downtown of Seaside. Necanicum  is one of several Indian names in northwest Oregon beginning with ne, meaning place.

 

Mike Mason has been using the flora and organic palette for over twelve years with a body of work of over one hundred and fifty pieces.

“Natural color and form used as brushstrokes is the next step in the journey of understanding. Timeless tales of truth resound in each petal, leaf and root. The impressions of ideas expressed in botanical source material magnify when shared with each other.”–- Mike Mason

 

 

Grace note received.

“You are the light for artists. Thank you for all that you do for the arts. I have made a baby orchid bouquet to complement the Momma orchid plant that you received  as a thank you from Vicky Combs-Snide, fellow artist.” –Anny

Thrilled that Neal Maine’s story made it into a book.

A Generous Nature

Lives Transformed by Oregon by Marcy Houle

Marcy Houle

6 × 9. Index. 256 pages.

2019. ISBN 978-0-87071-979-0.

A Generous Nature: Lives Transformed by Oregon offers profiles of twenty-one conservationists and activists (including Neal Maine and Katie Voelke from Clatsop County) who have made enduring contributions to the preservation of Oregon’s wild and natural places and high quality of life. These stories speak to their courage, foresight, and actions—at times against great odds— to enact legislation and motivate others to cherish and protect the places that make Oregon unique.

Taken from personal interviews conducted by the author over a decade, these stories will help readers understand the histories of Oregon’s exceptional places, innovative planning efforts, and laws. They provide insight into the principles and values that motivated individuals to preserve the beauty and natural resources of Oregon, craft legislation to further protect them, and educate others about their value. Houle features locations as diverse as the Columbia River Gorge Natural Scenic Area, the wild and scenic Sandy River, and Tryon Creek State Park, along with background on critical laws and organizations such as the Beach Bill, Diack Act, Senate Bill 100, SOLVE, and the High Desert Partnership.

 

About the author:

MARCY COTTRELL HOULE is a writer, award-winning author of five books, and a wildlife biologist. She is an author whose passion is to give voice to things that have no voice. Wildlife biologist and award-winning author of four books and numerous articles.  Her books have been honored with the national Christopher Award, the Oregon Book Award, Oregonian’s Best Books of the Northwest, and New York Times Best Books for Earth Day.

“The book is being launched November 6th at the Oregon Historical Society, in a lovely event sponsored by Oregon Community Foundation. OCF is giving a gracious grant to donate a copy of the book, A Generous Nature, to every public library in Oregon!”  Marcy Houle 

 

 

To view habitat photos available for sale, please go to http://www.fairweatherhouseangallery.com/ Neal Maine artist’s tab.

Sale proceeds to support North Coast Land Conservancy, NCLC.

For MADE. One-of-a-kind glass art objects that are food safe by Christine Downs.

Handmade glass bowl by Christine Downs.

“Glass is mesmerizing. Did you know it is not a solid? Scientifically it is considered a supercool liquid due to its unique crystalline structure. There is no other art medium like it.” CD

Handmade glass bowl by Christine Downs.

“The combination of color & light alone is magical. Its depth and visual allure pulls us in, seduces & invites the sense of touch.  We want to swim in it, to feel its warmth or coolness, to look at the world through it.  When such visceral responses as these are experienced, I have created a work of art.”  CD

Handmade glass tray by Christine Downs.

“The beauty of Oregon, the western landscape, rivers, trees, ocean & my own backyard feed my aboriginal eye & fuel my creativity on a nearly daily basis.”  CD

Handmade glass platter by Christine Downs.

“Rich pattern and simplicity of design is a dichotomy I strive to balance. My work often entails cosmic, geometric, zoomorphic & vegetal symbols such as spirals, mandalas, leaves, and other universal symbols and elements of sacred geometry.”  CD

Handmade glass platter by Christine Downs.

“Using a variety of techniques, I add visual texture & richness to my works. Combining sheets of glass with glass powders and granules called frit, I often create patterns or images in the glass, removing glass granules as I draw.  This “scraffito” technique’s results sometimes resemble monotype printmaking or wild gestural drawing.” CB

Handmade glass painting, framed, by Christine Downs.

“Recently I have been using glass powder mixed in a gelatinous medium to actually draw lines or “paint” with a palette knife as one would with acrylic paint. A technique I employ is embedding designs created by copper sheet or wire between two sheets of glass. The mass of the metal between the two sheets of glass introduces another element to the design: bubbles!  Only partially controllable, bubbles add an airy lightness to many of my works.”  CD

Handmade glass tray with fluted edge by Christine Downs.

“My pieces are typically fired at least three times.  I sometimes fire a piece, cut it up & re-fire the cut-up elements into a new design.  I am always experimenting, in partnership with the glass for inspiration, and permission for what it will allow me to do. As they emerge still warm from the kiln, I sometimes embrace these beloved “artifacts” to my heart.  My work is dear to me.”  CD

November through 24

MADE Art Show and Sale

Fairweather House and Gallery

612 Broadway

Seaside

“Made” an exhibition for the one-of-a-kind and the unexpected works made by Northwest hands. Alluring, distinctive and exquisite products, never-before-seen, with just the right dose of imperfection to suggest a human element in the creative process.

“This is the time of year, before the gift-giving season, the gallery digs a bit deeper into the subject of the handmade, with a reverence for artisans who are producing exclusive objects, artisans who have made craft cool and luxurious.”

Featuring harp maker Duane Bolster, calligrapher Penelope Culbertson, glass maker Christine Downs, paper crane maker Peggy Evans, quilt maker Cherry Jones Harris, and mixed media maker JoAnn Pari-Mueller.

Glass display featuring the work of Christine Downs, Mike Fox, Carolyn Lindberg,  and Fedor Zubanov. Oil paintings by Sharon Kathleen Johnson.  Jewelry by Mary Bottita.

Welcoming pine needle artisan Martha Denham and wood turner Tom Willing.

Introducing metalsmith Nikki Hall and potter Marcia Hudson.

For more info go to http://www.fairweatherhouseandgallery.com

Christine Downs lives in Southeast Portland with her husband. She enjoys spending time making glass art, gardening, and traveling. During the school year, she makes art two days per week with kindergarten through 5th grade students at Pioneer School. Students are typically placed here in this program due to unsafe behavior.

She taught at Portland State University, Graduate School of Education for many years, preparing candidates becoming special education teachers and continues substitute teaching at her favorite places when possible. For years, Christine was obsessed with Interpersonal Neurobiology. She taught entry-level PSU Interpersonal Neurobiology courses, Learning & the Brain & co-taught Meditation & the Brain with Caverly Morgan, founder of Portland’s Peace in Schools.

For MADE. Calligraphy artist Penelope Culbertson. Through November 24.

Original calligraphy by Penelope Culbertston.

Q: Who is Greta, you ask?

A: Greta Thunberg is a Swedish teenage environmental activist on climate change whose campaigning has gained international recognition. Thunberg first became known for her activism in August 2018 when, at age 15, she began spending her school days outside the Swedish parliament to call for stronger action on global warming.  After Thunberg addressed the 2018 United Nations Climate Change Conference, student strikes took place every week somewhere in the world. In 2019, there were at least two coordinated multi-city protests involving over one million students each.

Penelope Culbertson ponders an idea to create “What Greta Says” cards.

Thunberg is known for her blunt, straightforward speaking manner, both in public and to political leaders and assemblies, in which she urges immediate action to address what she describes as the climate crisis. Thunberg has been the recipient of numerous honors and awards, including fellowship of the Royal Scottish Geographical Society.

Teenage climate activist Greta Thunberg, was just named Time’s Person of the Year. Despite years of hate mail, disinformation campaigns and ridicule, the mainstream science community has made a strong position even stronger, thanks to more data from the atmosphere, the ground, the oceans and ice cores, as well as better computer models. And now they’re observing the unfolding of long-predicted global changes in real time. Al Gore had been right all along to scare people in his 2006 film An Inconvenient Truth.

Theodore Roosevelt quote by Penelope Culbertson.

Gandhi quote by Penelope Culbertson.

Lloyd Reynolds tribute quote by Penelope Culbertson.

Lloyd J. Reynolds was an American calligrapher and professor at Reed College (1929-1969) who taught classes on creative writing, art, and calligraphy. He received a BA in Botany and Forestry from Oregon State University, then an English degree at the University of Oregon. He went on to receive an MA in English literature from the University of Oregon. Reynolds started at Reed in the English Department, teaching creative writing, then began teaching classes on art history and graphic arts.  Reynolds was named Calligrapher Laureate of Oregon by Governor Tom McCall in 1972.  His students included Gary Snyder, Philip Whalen, Peter Norton, Charles Bigelow, David Eddings, Willard McCarty, Kris Holmes, Sumner Stone, Penelope Culbertson and (informally) Steve Jobs.

Q: What is the connection between Lloyd Reynolds and Steve Jobs, you ask?

A: Once when Steve Jobs, the genius behind the Apple computer company, gave an inspirational speech, he said, one of the most formative experiences was the time he spent with Lloyd Reynolds. Jobs never actually graduated from Reed, lasting only six months, yet, he stayed at the college, sleeping on friends’ floors and dropping into classes. One captured his imagination was a course in calligraphy. “If I had never dropped out, I would have never dropped in on this calligraphy class,” he said. “And personal computers might not have the wonderful font choices that they do.” SJ

November 2-24

Made Art Show and Sale

Fairweather House and Gallery

612 Broadway

Seaside

“Made” an exhibition for the one-of-a-kind and the unexpected works made by Northwest hands. Alluring, distinctive and exquisite products, never-before-seen, with just the right dose of imperfection to suggest a human element in the creative process.

“This is the time of year, before the gift-giving season, the gallery digs a bit deeper into the subject of the handmade, with a reverence for artisans who are producing exclusive objects, artisans who have made craft cool and luxurious.”

Featuring harp maker Duane Bolster,  calligrapher Penelope Culbertson, glass maker Christine Downs, paper crane maker Peggy Evans, quilt maker Cherry Jones Harris, and mixed media maker JoAnn Pari-Mueller.

Wall display featuring the calligraphy of Penelope Culbertson.

Welcoming pine needle artisan Martha Denham and wood turner Tom Willing.

Introducing metalsmith Nikki Hall and potter Marcia Hudson.

A mosaic of past Penelope Culbertson’s Fairweather appearances.

For more about the artist, please go to http://www.fairweatherhouseangallery.com  /artists tab Penelope Culbertson

Penelope Culbertston’s art won the top calligraphy award at the Oregon State Fair in 2019 with her quote by Rumi “There are hundreds of ways to kneel and kiss the ground.”   Judge’s comment:  “Lettering well placed with very pleasing flourishes.”